The Power of RAW with DJI Drone
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With our airborne DJI drone cameras, we as a whole have the decision to catch either JPEG or RAW photography documents.
Each arrangement fills its own need, yet there are tremendous contrasts. A real estate agent, home overseer, or leisure activity pilot might favor JPEG documents to save time and end up with a clean, brilliant glancing picture straight out of the camera.
Stacy and I by and large shoot RAW since we mean to invest energy in handling each chosen picture. It is essential to catch your photographs in RAW configuration on the off chance that you expect to work at a more elevated level in still photography.
Give careful consideration that the kind of RAW document that DJI utilizes is known as a .dng. So while catching a RAW record with your DJI drone, you set the document type to “.dng”.
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Here is a guide to show the force of RAW during the altering system:
When handling model.
Going for features and recuperating the shadows.
Shooting in RAW, I purposefully caught this scene with the congregation under-uncovered by around 4 EV’s (openness esteems or ƒ-stops).
What was I thinking when I caught this unique photograph? For what reason would I deliberately catch a scene like this with an “off-base” openness? Why not simply utilize the camera’s light meter to make a “right” openness?
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This is the reason; with experience in photography there at last comes a hunch concerning how far we can push the open scope of a computerized picture during the catch. Now and again, I need to supersede the camera’s mechanized openness meter to accomplish a specific impact.
For this situation, I might have shot the congregation scene with my Phantom 4 Pro in completely programmed settings and the result would have been a genuinely normal-looking photograph.
In doing as such, I would have lost the greater part of the pleasant tints in the sky, and furthermore lost the rich passionate sensation of the sundown hour. For an effective photo, these things are significant for me to pass on to the watcher.
When shooting RAW, the histogram is a rule for wanted openness.
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Picture and Histogram one next to the other. This is the manner by which the picture connects with the histogram concerning features and shadows.
The histogram addresses the openness information of your JPEG picture. You will have some “reward” space on both the left and right half of the histogram when shooting RAW. Stacy and I consider the histogram a basic, yet adaptable rule instrument to build up our creative senses. In the study hall, we build up the utilization of the histogram over and over.
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While flying the camera close to this congregation at sunset, I knew how much shadow and brilliance my RAW document could deal with, thus I picked to uncover the picture more for the sky and later open up the shadow detail in post-handling. Again, I never fly without first opening the histogram in the DJI Go 4 application.
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Recall that this mathematically based outline addresses the openness upsides of a JPEG picture (not a RAW document) thus, for this situation, I overlooked the weighty left half of the chart, demonstrating underexposure.
Then again, on the right-hand side of the histogram, I was more mindful so as to protect the features since those splendid spots are more sensitive in post-handling. Over-handled nightfall prompts unfortunate posterization or shading banding between inconspicuous tones.
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Crude Histogram versus
A scandalous little tidbit in photography is that the picture histogram addresses the upsides of a JPEG record. While catching a . DNG (RAW) record, you should comprehend that there is more scope than the histogram uncovers.
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With the Phantom 4 Pro and Mavic 2 Pro, I usually open a piece to one side on the histogram (one EV underexposed). This assists me in withholding more strong information in the sky. All of this is more straightforward than it sounds. How about we investigate the essential slider settings I utilized in Adobe Lightroom:
Adobe Lightroom sliders are a handy solution.
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Utilizing Adobe Lightroom, fundamental openness choices can be made and changed with sliders in only 30 seconds.
In the absolute first board (Basic Panel) I made 4-5 fast changes which recuperated the shadows while safeguarding the features. It took me an aggregate of 30 seconds. Starting there, I made extra changes in different boards to suit my own taste.
Here is some more data about RAW versus JPEG. Assuming you choose to shoot in RAW and learn post-handling, there are a few RAW document handling applications accessible; Adobe Lightroom, Adobe Camera RAW, Skylum Luminar, DxO Optics Pro, and Capture One Pro, to give some examples.
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Creators Randy Jay Braun and Stacy Garlington are fellow benefactors of the DJI Aerial Photo Academy, giving live city-to-city studios assisting participants with making better ethereal robot photos for work or for play. A current studio timetable can be found at www.djiphotoacademy.com and on their Facebook page.
Because of the COVID-19 pandemic, up close and personal classes are as of now extremely restricted to little gatherings. They desire to continue regular classes in Q2 of 2021.
A book about Aerial Drone Photography? That’s right. These two have energy! Randy and Stacy have recently set out the blueprint. There will be a well-limited cost for each individual on the MailChimp list. Chara-ching $$$$$.
Up to that point, HECK YEAH, Randy and Stacy are showing a similar course (and that’s only the tip of the iceberg) to you as you sit in your LazyBoy seat at home. This is a deal since you get an entire six hours of reduced-down examples that you can process at whatever point you need. Investigate our online Premium Masterclass.